This book focuses on the relationship of Bertolt Brecht to the theater of Russian director Vsevold E. Meyerhold. Eaton's analysis places Brecht's dramatic theory and practice in proper historical perspective, thereby increasing our understanding of the role of the Russian avant-garde in shaping modern theater. She clearly demonstrates the extent to which Meyerhold's influence on Brecht has been underestimated and she argues that the preservation of Meyerholdian theater should be numbered among Brecht's significant contributions to modern drama.