When the Mona Lisa was stolen from the Louvre in 1911, it was twenty–four hours before anyone knew it was missing. Afterward, thousands of people flocked to see the empty space where it had once hung, many of them having never seen the painting in the first place. In Stealing the Mona Lisa, Darien Leader takes the intriguing story of the theft of the Mona Lisa and the public's reaction to it as a starting point to explore the psychology of looking at visual art. What do we hope to see in paintings, and what do they hide from us? Why should some artists feel compelled to live lives that are more colorful than their works? And why did the police bungle their long investigation into the theft of Leonardo's masterpiece? Leader combines anecdote, observation, and analysis with examples taken from classical and contemporary art to create a surprising and fearless interrogation of what we see in art and what we might hope to find.

With Lament for the Makers W. S. Merwin honors the lives and work of twenty-three poets of our time. Each of them has been important to him, and all of them died during his life as a poet. Following the title poem, Merwin presents works by Dylan Thomas, Wallace Stevens, Edwin Muir, Sylvia Plath, William Carlos Williams, Robert Frost, Theodore Roethke, Louis MacNeice, T. S. Eliot, Randall Jarrell, John Berryman, W. H. Auden, Marianne Moore, Ezra Pound, David Jones, Robert Lowell, Elizabeth Bishop, James Wright, Howard Moss, Robert Graves, Howard Nemerov, William Stafford, and James Merrill. Photographs and brief biographies of the poets are also included. Lament for the Makers connects the work of one of our most gifted contemporary poets with the modern masters who have defined the twentieth-century poetic tradition.